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Essay on Botticelli

This is the first 1,000 characters of 568 words (2.27 pages) in the essay titled Botticelli

Botticelli, Sandro. Primavera. Galleria degli Uffizi, Florence. Mark Harden’s

Artchive. By Mark Harden. Available http://www.artchive.com/ftp_site.html.

Botticelli’s masterpiece, Primavera, depicts a scene of slow moving grace in what

appears to be a mythical garden. The actual subject of this masterpiece is unknown, but

there are volumes of ideas concerning the purposes and meanings the painting could have.

Despite the confusion the painting is widely admired and revered as Botticelli’s finest

works. The scene appears to be a spring morning, with a pale light penetrating the straight

vertical trees in the background. The trees appear to bear golden apples, a possible

reference to the myth of Venus and the golden apple which seems feasible considering

Venus appears in the center of the painting underneath the great canopy provided by the

trees. Golden apples are also the attribute of the Three Graces, the handmaidens of Venus,

also shown in this work. Chloris, the ancient Greek goddess of flowers, is fleeing from

Zephyr, the west wind of springtime whom begets flowers, on the right side of the

painting. When Zephyr catches her in his embrace flowers spill from her lips and she

transforms into Flora the Roman goddess of flowers. Flora is depicted separately from

Chloris and is dressed in blossoms as she scatters flowers over the ground. In the center is

a dignified Venus with a promise of joy. Above Venus is the infant Cupid, blindfolded and

aiming his arrow...

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Keywords: goddess of flowers, mark hardens artchive, botticelli sandro primavera, ancient greek goddess, three graces, zephyr, golden apples, painting, vertical trees, mercury messenger, galleria degli uffizi, masterpiece, flora, cupid, she transforms, messenger of the gods, mark harden

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