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Essay on Elizabethean Drama

This is the first 1,000 characters of 5630 words (22.52 pages) in the essay titled Elizabethean Drama

Beyond New Historicism: Marlowe s unnatural histories and the melancholy properties of the stage

The tradition of the dead generations weighs like a nightmare on the minds of the living. [1]

There is no document of culture which is not at the same time a document of barbarism. And just as such a document is not free from barbarism, barbarism also taints the process of transmission ... [2]

Recent critical discussions of Elizabethan drama, above all of Shakespeare, have centred around `new historicism , a trend consolidated in critical anthologies.[3] New historicism is characterised by an interest in the historicity of texts and the textuality of history, and by affinities with theoretical projects concerned with power, identity and the construction of subject positions. Despite important political differences, new historicism has been linked with what has become known as `cultural materialism .[4] Many of the political differences stem from the uneasy relation of new historicism, and of cultural materialism, to the Marxist conception of history or historical materialism, differences which this essay seeks to accentuate.

Raymond Williams is often claimed as a major precursor of cultural materialism, but interest in institutions, discursive practices and subject positions suggests the different legacy of Althusser s attack on humanism and the influence of Foucault. New historicism, by contrast, shows scant regard for Marxism while being especially indebted to Foucault s ...

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Keywords: new historicism, historical materialism, cultural materialism, barbarism, foucault, marxism, humanism, political differences, subject positions, elizabethan drama, scant regard, discursive practices, dead generations, critical discussions, theoretical projects, raymond williams, althusser, formalist, historicity

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