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Essay on None Provided4 | ||
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This is the first 1,000 characters of 815 words (3.26 pages) in the essay titled None Provided4 Western film theory is generally subdivided into classical theory and contemporary theory. Contemporary theory consists of a theoretical system, which employs psychoanalysis, ideological critique and feminism to interpret cinematic forms. It originated in the mid-sixties and flourished in the 1970s. It was first introduced to China in the early 1980s and brought in as a complete theoretical system a few years later. Peaking in the late 1980s, it should have taken up an important position in the development of China s film theory.Classical film theory had developed very slowly in China, and by the end of the 1970s it had acquired the following features: “It was a theory about social politics, not about art or cinema, and frequently used as a tool in political struggle, directly serving the politics of the day.” (Ke 66) “Its artistic theory was insipid, simple and ossified, consisting merely of theories about production transplanted from philosophical dogmas. China had been closed for a long time, and there had been little international exchange, borrowing or debate. Therefore, widespread assimilation of the scholarly achievements of foreign film theory had been impossible and numerous lacunae and defects existed.”(Ke 66) Toward the end of the 1970s China chose reform and opening to the outside world. Major changes in film theory were inevitable in order to adapt to the needs of social reform and cinematic innovation and to enrich and improve theory itself. Importing fore... |
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Keywords: classical film theory, insipid, lacunae, cinematic concepts, china, proceeded, 1970s, classical theory, theoretical system, foreign film, 1980s, artistic theory, social politics, scholarly achievements, mid sixties, political struggle, little international, cold reception, western film, international exchange